Case file · 2026
Studio
Beyond3D
Client
doubleA Foundation
Sector
opera
Service
Stage visuals & virtual production content
Theory of Flames — Michel van der Aa
One visual world for a film opera in which live theatre and cinema fully merge.

Theory of Flames by Michel van der Aa deliberately seeks the line between screen and stage. The image content therefore had to work on two fronts at once. Beyond3D developed both the stage visuals for the live performance and the virtual production backdrops against which the film scenes were shot, both from one visual language.
The challenge
Image content for a film opera in which live theatre and cinema fully merge: both the visuals for the stage and the virtual production backdrops for the film scenes.
Visual strategy
Two coherent visual tracks developed from one visual language: moving stage visuals for the live performance and virtual production environments against which the film footage was shot.
Impact
A continuous visual world that blurs the line between screen and stage, exactly as the opera intends.
— our role
- Visual direction
- 3D stage visuals
- Virtual production environments
- Cinematic lighting
- Camera-based perspective
- Delivery for live stage and film shoot
— notes
Theory of Flames is the new film opera by composer, librettist and director Michel van der Aa, premiered in 2026 at Dutch National Opera. The work lets live theatre and cinema fully merge: a mirror palace of moving film screens in which live singing and pre-recorded footage become one. The opera examines how we deal with truth in an age of disinformation and conspiracy thinking.
For a production that deliberately seeks the line between screen and stage, the image content had to work on two fronts at once. Beyond3D developed both the stage visuals for the live performance and the virtual production backdrops against which the film scenes were shot. Both tracks come from one visual language, so that the image on stage and the image in the film feel like the same world.
The stage visuals move with the shifting screens, the light and the direction. The virtual production environments give the film footage its depth and context, with perspective that moves with the camera. Where the two meet on stage, the difference between what is live and what is recorded fades.
This way the imagery contributes to what Theory of Flames sets out to be as an opera: a work in which reality can no longer be separated from its imagination.
— stills

Photo: Marco Borggreve

Image: Dutch National Opera & Ballet

Photo: Marco Borggreve

Image: Dutch National Opera & Ballet

Image: Dutch National Opera & Ballet


Photo: Desiré van den Berg / The New York Times
End of file · theory-of-flames
